Search results for query: *

When it comes to characters, sidecharacters even, make sure NOT to forget about them or simply make them disappear near or at the ending even if they were very developed Look at Tokyo Ghoul :RE’s ending, there were characters like Amon and Eto whom the author just forgot about when showing what...

Yeah, I think it also helps provide a real sense of danger, whilst showing both strength and weakness in that character. I'm no writer, but I'd like to point this one out, I don't believe simply "Using your wits" or "Fighting Dirty" is always or should always be enough to win a fight. Going...

Yeah, it becomes sort of questionable if they’re normal humans or not if they can survive having very deep wounds for longer than a few seconds and make relatively quick recoveries as well as fight through multiple opponents in melee while having reflexes that look to have little questioning...

Thanks, this works Anyway, need some other advice. I’ve been reading Robert E. Howard’s stories for awhile, loved his “Badass Normal” ones like Conan The Cimmerian, Kull The Conqueror, Bran Brak Morn and Solomon Kane They all feauture guys who can go berserk and have hot blood and yet think...

Somehow the latter sounds complicated and I myself can almost explain the motions of Niko Style: Demonsband....but I think people would lose attention quick when describing how a guy puts one foot firmly on the ground, sways back, grabs the opponents arm to drag them towards them and then hit...

You sure that’s enough of a description for an in house or round house kick?

Question, when it comes to writing fight scenes, how detailed should the moves be? Particularly if they are melee attacks? Like these Because I don't think people would know all these aside from the usual punch or kick and they may not be able to imagine in their heads how this "Bent Wrist"...